Artist Katie Caron created Neuron Forest after surviving a brain injury. Watch the process Katie used to for her collaboration with the Center for Bioethics at the University of Colorado

By Eliza Marie Somers

Brain Injury Hope Foundation co-founder Dr. Mary Ann Keatley started the August 9, 2024, Survivor Series: How Creativity Can Enrich Your Journey Through Brain Injury with a story about composer Derek Amato.

Amato suffered his seventh brain injury right before his 40th birthday when he hit his head diving into the shallow bottom of a pool. The fifth day after his injury he sat down at a piano and started playing complex musical chords despite the fact that he had played only “Chopsticks” before the TBI.

“It was instant,” Amato says in the YouTube video “Derek Amato, Sudden Musical Genius”. https://www.youtube.com/watch?v=GTHDuZo7G3Y

Amato’s amazing creative talent is known as acquired savant syndrome, which is someone who suddenly develops an extraordinary ability in music, art, math, or another field after sustaining a head injury, stroke or other neurologic illness.

Amato also “sees” music as black-and-white squares with musical notes, a phenomenon known as synesthesia, which causes sensory crossovers such as tasting colors.

Keatley referenced Dr. Bruce Miller, who coined the term emergent creativity after observing creativity in patients with dementia in which the loss of function in the anterior temporal lobes may lead to the “facilitation” of artistic skills. It has also been observed in people who have suffered a TBI or a stroke.

“What (Miller) said is that people who sustain this injury have almost a compulsive urge to create. They want to create,” Keatley explained. “He believes that the savant skills emerge because the injured areas that are associated with logic and verbal communication and comprehension have been inhibiting these latent artistic abilities that were present all the time. As the LEFT brain shuts down due to injury, the circuits in the right brain that keep it in check disappear and the areas in the RIGHT brain associated with creativity emerge.”

Dr. Mary Ann Keatley credits neuroplasticity  —  the brain’s ability to grow new cells and neuropathways – as one reason TBI survivors become creative after an injury.

Keatley also noted studies by neuroscientists Alan Snyder and Berit Brogaard. Snyder believes savants can access raw sensory information, normally off-limits to the conscious mind because the brains’ percentual region isn’t functioning. And Brogaard thinks that when brain cells become injured or die, they release a barrage of neurotransmitters, and these potent chemicals actually rewire parts of the brain opening up new neural pathways into areas that were previously unavailable. The reorganization that occurs, allows the possibility to access information that was dormant before.

“I think they are all kind of true,” Keatley said and then gave examples of her patients who developed creative talents after a brain injury.

One of Keatley’s patients began to speak in rhymes. “Everything she said became poetry. And it was quite beautiful. I’ve seen people who couldn’t draw at all, and then all of a sudden, they’re producing beautiful art and paintings that they are selling and making a living on them.”

Keatley credits neuroplasticity (the brain’s ability to regrow cells and neuropathways) for developing dormant creative instincts after a brain injury. “We have the ability, we just didn’t do it until after the injury,” she said.

Another theory associated with creativity after a brain injury is TBI survivors go into a theta state after the injury. This is the transitional state between wakefulness and sleep, also known as hypnagogia.

“A lot of people with brain injuries say they feel foggy, hazy and can’t seem to wake up,” Keatley said. “This is also the creative state.”

Panelist Katie Caron, an artist and educator, injected, “This is why I like sleeping in. I’m an artist, and I always want to be able to sleep in because between the waking state and sleeping I usually solve a lot of creative problems.”

Keatley agreed, “One thing, if you present yourself with a problem at night before you go to sleep, then a lot of times the answer will be available after moving into a hypnagogic state, and then waking up.”

Caron, a brain injury survivor, is chair of Studio Art and Head of Ceramics and 3D Design at Arapahoe Community College in Littleton, Colorado. She sustained a brain injury after graduating college 13 years ago when a 900-pound wall in her art studio fell on her and shattered her pelvis and dislocated her spine from her hip. She ended up in a nursing home in Detroit.

Artist Katie Caron says this artwork represents the collision of a wall falling on her.

“And when you think about depression and what that does to someone, at that time in their lives, it was pretty, pretty, brutal. So, I started making art. I was already kind of creatively in the zone for making work.”

However, the type of art she created in the nursing home was quite different than the ceramic art she made in school for her thesis.

“I was very, very angry,” Caron said. “You know, when you experience trauma there’s a lot of reliving that trauma over and over again in your mind. And I couldn’t stop reliving that trauma in my mind. My body was broken, and so that was obvious, but what was going on in my mind was something I don’t think was obvious to a lot of people.”

Caron began to create art with large archival glassine museum paper by crumpling up pieces, unfolding them and then coloring the paper with markers.

“I just started wrinkling it up like smashing it together violently, like I was violently smashed. That physical action gave me some sense of relief. And then I kind of quietly opened it up,” she explained.

After hanging the paper on the wall, Caron said she moved her wheelchair to the wall and she meticulously went over every single wrinkle with markers, creating what she now calls, “Heartland Drawings.” To view her art, visit https://katiecaron.com/Heartland-Drawings

The images “represent that point of contact where that wall hit my body,” she said. “And I just kind of put all my energy and pain into these drawings.”

Artist Katie Caron says creating art helps her process difficult emotions.

After moving back to Colorado and years of recovery, Caron became an adjunct teacher at Rocky Mountain College of Art and Design. She also started creating ceramic and 3D art.

She explained creating art “helps process difficult emotions. … so, I think sometimes it’s our language that can express things that words can’t.”

During her recovery, Caron developed a fascination with the brain and how it works that resulted in her artwork: Neuron Forest.

“We’re doing everything we can to heal the body, but the mind is a lot harder to heal sometimes,” she said. “Because of that trauma I got really interested in the brain and neurons,” she said. To view the Neuron Forest, visit https://www.katiecaron.com/Neuron-Forest

Brain injury survivor Sharon Mehesy is an author and poet. Her book “A Likely Story,” was written with her mother, Eberly, and details Mehesy’s long recovery after a near fatal car accident in 1997. At the time of the accident Mehesy was an English major at Northeastern State University in Oklahoma, but afterward she had to relearn how to eat, swallow, talk and walk. She could no longer write causing deep depression for more than a year.

It took another car accident for Mehesy to shake the darkness and realize she had another chance at life. She changed her major to recreational therapy and is now a Brain Injury Group Facilitator with the Southwest Center for Independence in Durango, Colorado.

Author and poet Sharon Mehesy says a second car accident changed her perspective: I was so focused on what I lost, I forget to notice what I still had.

“Thankfully. I walked away from the accident, but most importantly, I had been given the gift of a perspective,” Mehesy explained. “I walked away, saying, ‘Oh, I’ve been so focused on what I lost, I forgot to notice what I still had. I can’t run, but I can walk. I can’t sing, but I can talk.’ And, so, these events inspired a poem, I’d like to share with you. It’s called “Perspective.”

PERSPECTIVE

 Depression seductively beckons to me—feigning to offer comfort from the pain.

 But once I have sampled her “comfort” it is too late —

No comfort is felt — the iron doors slam shut behind me,

 Forever imprisoning me in this cell.

Yet Hope calls to me through the open window.

 Hope reassures me, “It is not too late! Turn your eyes back to the peace that was once yours when we shared this room.

 You are still in the same room, the only thing that has changed is your perspective.

 My eyes are opened, for the first time it seems, and I see the life rope.

 Hope hoists me up to help me stand.

 I bask in the warm sunshine of freedom that Hope has shone on me.

Mehesy wrote a poetry book, “Seasons: A Book of Poetry Reflecting on the Seasons of Life,” detailing her journey from injury to recovery.

“My poems, my poetry has always helped me process difficult emotions,” she said. Before the second accident, Mehesy’s poems were “really depressing, sad poems, that were inspired by strong emotions.

“But I’ve begun to explore the power of positive poetry, and that’s just amazing. It’s been so helpful to me. So, on that note I’d like to share another poem. It’s called ‘A New Dawning.’”

A NEW DAY DAWNING

Morning has finally come

The long dark night is drawing to a close

Rays of sunshine suddenly burst thru the dark clouds

 

Revealing clear blue sky!

Hope has rescued me once again

I bask in the warm sunshine of freedom

As I revel in her warm embrace!

Mehesy said her brain injuries helped her find her purpose in life.

“I realized I discovered my passion, my purpose for being here,” she explained.

“I feel like my purpose is to educate other people about brain injury, and how people with brain injuries can to make the most out of their lives. To live lives to the fullest. It was always my dream since my injuries to be the resource I didn’t have in Durango after my accident.

“Right now, I facilitate brain injury support groups in Durango, and I get to educate people about brain injuries. Yeah, it’s kind of like the old saying – helping others is helping yourself.”

Naropa Community Art Studio

So, you say you are not an artist or writer and that you don’t have a creative bone in your body. Well, that’s just an excuse to not explore your talents, so say the panelists at the Brain Injury Hope Foundation’s August 9, 2024, Survivor Series: How Creativity Can Enrich Your Journey Through Brain Injury.

“In our community art studio, one of the things that we focus on is referring to each other as artists, and a lot of times as we’re starting a semester, there’s a little bit of a push back there. ‘Well, I’m not an artist.’ And I’m a little bit of a hard ass with that like. ‘No, you are an artist. You’re here. You’re an artist. We’re all artists,’” said Michael Putzel, an adjunct teacher at the Naropa Community Art Studio in Boulder, Colorado. “I think, there are so many different ways creativity and art can manifest.”

Art therapist Michael Putzel says the Naropa Community Art Studio is about connections.

Naropa University started the community art studio 20 years ago to “bring together community members of marginalized populations in Boulder with the graduate art therapy studies program, and to create an environment that is destigmatizing and offers of a free space for people from marginalized populations to create art,” Putzel explained.

Putzel began working with the program in 2017 and has helped expand the art studio to include brain injury survivors.

“It allows you, allows artists, to come together and not have to explain any of the sensory processing that might be coming up for them and create art together in a space,” he explained. “It’s this beautiful sort of win-win situation where first-year graduate students get some practicum experience before they’re ready to be therapists. This is a non-therapeutic environment, and they get to do some mentorship. Some offer demonstrations of art processes. And it allows the community to come together to make use of our free materials, free space.

“What is really exciting is to watch how each other’s art processes sort of mirror each other and connect. And that’s really our main focus is to connect together through creativity. So, we are not an art class or art therapy. This is a unique experience.”

Putzel related a story of a brain injury survivor who created a 5-pound ceramic brain, but because of the weight many thought it would explode in the kiln. One of the mentors worked with the TBI survivor to ensure the art didn’t dry while she worked on it, and after it went in the kiln there was a little bit of cracking.

“And the cracking was right in the area of her brain, where the injury was,” Putzel said. “And it was like there was just something you can’t explain.”

The artwork was finished with Kintsugi, the Japanese process of where you put gold inside the cracks of broken pottery.

“It was just this incredibly powerful metaphor and experience for her and for this graduate student working with her.”